My main focus of interest is geometric brutalist shapes and ceramics. Two things that are seemingly impossible to combine, therefore they serve as an infinite source of challenge and inspiration. I draw most of my inspiration from architecture (especially Functionalism and Deconstructivism) and furniture. I like geometric shapes, industrial look, and rough texture of brutalist monuments. That’s why my works have simple geometric silhouettes contrasted with perforations and hollowness, or glaze and texture.
In these tumultuous times, the vast majority of people face a lot of pressure: economic issues, climate change, and fear of missing out. This anxiety resonates particularly well with millennials, who crave safety and stability in the face of uncertainty. My objects relate to this insecurity and necessity to always keep emotional balance. Other works symbolise the connection between the people and the city itself, being a combination of buildings that are important to me with an impression of everyday life within the city.
I want to capture the perspective of an architectural structure that is a part of the always developing world.